Jeff Hayton: Culture from the Slums. Punk Rock in East and West Germany (Review)

Cover Jeff hayton Culture from the Slums

Jeff Hayton’s monograph on punk culture in the Federal Republic and GDR could have become the standard historiographical work were it not for the many small and serious shortcomings and scholarly carelessness that undermine almost every positive aspect of the work. In fact, there is a lack of historical studies on German punk culture: since the early 2000s, only journalistic, cultural and social science works on punk in the Federal Republic have appeared, including publications in English. The steadily growing series of books on punk in the GDR have also lacked historical expertise. The only exception is Florian Lipp’s historical in-depth study on punk and New Wave in the last decade of the GDR, published in 2021, which, as Hayton himself writes, appeared too late to be included in his work. Consequently, the chapters on punk in the GDR do not offer much new information. Continue reading

Special Issue “Popular Music History”: Narrating Popular Music History of the GDR: A Critical Reflection of Approaches, Sources and Methods (CfA, Deadline: January 29, 2021)

Background

Histories of German popular music generally focus on examples of West German music which were commercially successful and/or are considered to be aesthetically and musically ground-breaking. Bands such as Kraftwerk, Can, Neu! or the Scorpions are the subject of many academic as well as non-academic publications, and they are considered as canonical as genres such as Krautrock or Neue Deutsche Welle. East German musicians or movements, on the other hand, tend to be overlooked, as do specific artistic forms of expression which were developed in response to authoritarian leadership in the socialist German Democratic Republic (GDR). The examination of a relationship between the GDR and the arts is almost altogether absent from a pan-German popular music history. Continue reading